Her \u015fey, eskiden beri ilgi duydu\u011fum, ulusal mar\u015flar\u0131n\u0131 \u00e7\u00f6z\u00fcmlemeye \u00e7al\u0131\u015f\u0131rken g\u00fcftenin -\u00f6zellikle ruh olarak- bizimkine \u00e7ok benzedi\u011fini fark etti\u011fim Japon milletinin, kadim ve ince bir millet oldu\u011funa i\u015faret eden \u00e2detlerinden birini sosyal medyada g\u00f6rmemle ba\u015flad\u0131. (\u201cS<\/b>enin saltanat\u0131n \/ Bin y\u0131l, sekiz bin y\u0131l s\u00fcrs\u00fcn \/ \u00c7ak\u0131l ta\u015flar\u0131 kaya olana ve yosun tutana kadar.<\/b>\u201d (Japon Ulusal Mar\u015f\u0131).<\/p>\n
K\u00fc\u00e7\u00fck ama hayat\u0131 ve insan\u0131 sorgulatacak bilgi k\u0131r\u0131nt\u0131s\u0131yd\u0131 bu. Bazen ekmek k\u0131r\u0131nt\u0131s\u0131na benzer bilgi k\u0131r\u0131nt\u0131lar\u0131, al\u0131p ba\u015f \u00fcst\u00fcne koymak gerekir, yerde b\u0131rak\u0131lmaz. \u0130\u00e7inde ge\u00e7mi\u015ften an\u0131lar, gelecekten mu\u015ftular ve bir\u00e7ok ya\u015fanm\u0131\u015fl\u0131klar vard\u0131r da ondan. Do\u011fu medeniyetinin \u00e7ocuklar\u0131 olarak, bilginin (ve \u201cbilim\u201din) \u00f6nemini, anlam\u0131n\u0131, de\u011ferini, olmazsa olmazl\u0131\u011f\u0131n\u0131 anlayamad\u0131k, anlatamad\u0131k ama biliyoruz en az\u0131ndan, her \u015feyi bildi\u011fimiz gibi, her \u015feyi bildi\u011fimiz kadar!<\/p>\n
Sahi \u201cbilgi\u201d nedir?<\/p>\n
Bu soruya verece\u011finiz cevap kaderinize ayna tutar; ayd\u0131nl\u0131k, karanl\u0131k yahut alacakaranl\u0131k gelece\u011finize de.<\/p>\n
Devam edelim.<\/p>\n
Okudu\u011fum notta \u015funlar yaz\u0131yordu:<\/p>\n
\u201cJaponlar k\u0131r\u0131lan e\u015fyalar\u0131n\u0131 tamir ederken kopan veya k\u0131r\u0131lan par\u00e7an\u0131n yerini alt\u0131nla doldururlarm\u0131\u015f. \u0130nan\u0131\u015fa g\u00f6re, bir e\u015fya ya da insan hasara u\u011fram\u0131\u015fsa, ac\u0131 \u00e7ekmi\u015fse o, bundan sonra bir hat\u0131raya sahiptir, ders alm\u0131\u015ft\u0131r ve art\u0131k oldu\u011fundan daha de\u011ferlidir.\u201d<\/b><\/p>\n
Beni \u00e7ocuklu\u011fuma geri g\u00f6t\u00fcr\u00fcp v\u00fccudumun bir\u00e7ok yerinde deri \u00fczerindeki \u00e7izikleri, izleri hat\u0131rlatan bu basit ibarede bir felsefe yat\u0131yor. Burada deriyi, \u00fcst\u00fcne yaz\u0131lanlar\u0131n kolay kolay silinmedi\u011fi bir k\u00e2\u011f\u0131da ni\u00e7in benzetmeyelim? (\u201cAc\u0131 \u00e7ekmeyenin y\u00fcre\u011fi b\u00fct\u00fcn.\u201d) Bu bilgi k\u0131r\u0131nt\u0131s\u0131nda e\u015fyayla ve onun ruhuyla kurulan ba\u011fa g\u00f6nderme yap\u0131l\u0131yor. K\u0131r\u0131lan yer veya ortaya \u00e7\u0131kan \u201c\u00e7atlak\u201d tamir edilince, ondan geriye bir ders ve ya\u015fanm\u0131\u015fl\u0131k kal\u0131yor. \u201cK\u0131r\u0131lan\u0131n, eskiyenin, modas\u0131 ge\u00e7enin yeri hayat\u0131n \u00e7\u00f6pl\u00fc\u011f\u00fcd\u00fcr.\u201d anlay\u0131\u015f\u0131n\u0131 elinin tersiyle iten bu yakla\u015f\u0131ma \u015fapka \u00e7\u0131karmamak m\u00fcmk\u00fcn de\u011fil.<\/p>\n
Sadece e\u015fyan\u0131n de\u011fil, t\u00fcm mevsimleri do\u011fada ge\u00e7iren insanlar\u0131n ellerinin, dudaklar\u0131n\u0131n \u00e7atlamas\u0131, (\u201cBenim do\u011fdu\u011fum k\u00f6ylerde \/ Kuzey r\u00fczg\u00e2rlar\u0131 eserdi \/ Ve bu y\u00fczden dudaklar\u0131m \u00e7atlakt\u0131r\u2026\u201d); bazen kurakl\u0131ktan bazen yer sars\u0131nt\u0131s\u0131ndan topra\u011f\u0131n, kerpi\u00e7 evlerin duvarlar\u0131n\u0131n \u00e7atlamas\u0131; bulut, ya\u011fmur ve \u015fim\u015fek marifetiyle g\u00f6\u011f\u00fcn \u015fekilden \u015fekile girmesi ve benim muhayyileme g\u00f6re bir nevi \u00e7atlamas\u0131; en yak\u0131c\u0131s\u0131, yorgunlu\u011funu bast\u0131ra bast\u0131ra hayat\u0131n do\u011fal ak\u0131\u015f\u0131n\u0131n tersine\/inad\u0131na ko\u015fan atlar\u0131n \u00e7atlamas\u0131\u2026 (\u201cTorino At\u0131\u201d 2011 yap\u0131m\u0131.), (\u201cBiz ko\u015fu bittikten sonra da ko\u015fan atlar\u0131z.\u201d)<\/p>\n
B\u00fct\u00fcn bunlarla birlikte olgunla\u015fm\u0131\u015f incirlerin kabu\u011funda (veya derisinde) d\u00fcnya haritas\u0131na benzer \u00e7atlaklar\u0131n belirmesini bilir misiniz? Bitti bitecek ama incir ay\u0131nday\u0131z. (Bir incir kadar derinden \/ Kim hissedebilir eyl\u00fcl\u2019\u00fc?) \u0130ncir diliyle s\u00f6ylemek gerekirse bu \u00e7atlaklar olgunla\u015fma i\u015faretidir \u201ctad\u0131m\u0131 tamamlad\u0131m ey insanlar\u201d\u0131n incircesidir. H\u00e2s\u0131l\u0131, g\u00fcng\u00f6rm\u00fc\u015f ya\u015fl\u0131lar\u0131n y\u00fczlerindeki, al\u0131nlar\u0131ndaki, ellerinin \u00fcst\u00fcndeki \u00e7izgileri de, \u00e7atlaklar\u0131 da, bir \u00f6mr\u00fcn haritas\u0131 olarak okumak m\u00fcmk\u00fcnd\u00fcr. (\u201cY\u00fcz\u00fcmde \u00e7izgi \u00e7izgi imzas\u0131 kaderimin\u201d veya \u201cAl\u0131nlar g\u00f6rm\u00fc\u015f\u00fcm ki vatan\u0131m\u0131n co\u011frafyas\u0131d\u0131r \/ Her k\u0131r\u0131\u015f\u0131\u011f\u0131 sorulacak bir hesab\u0131 \/ Her \u00e7izgisi tarihten bir yapra\u011f\u0131 anlat\u0131r.\u201d)<\/p>\n
Derin ye\u015filliklerin ortadan ikiye ay\u0131r\u0131ld\u0131\u011f\u0131 \u00e7atlaklarda ya bir p\u0131nar vard\u0131r ya nehir ya dere\u2026 O y\u00fczden bu t\u00fcr \u00e7atlaklar\u0131 \u201crahmet \u00e7atla\u011f\u0131\u201d olarak adland\u0131rmak yanl\u0131\u015f olmaz. \u0130lk medeniyetlerin \u00e7o\u011funun b\u00f6yle vadilerde kuruldu\u011funu s\u00f6ylersem hata etmi\u015f olmam. \u00d6yle de\u011fil mi Bilecik ve \u015eeyh Edebali, \u00f6yle de\u011fil mi Blagay Tekkesi ve Horasan erenleri, \u00f6yle de\u011fil mi c\u00e2n\u0131m Ayvaz Dede\u2019m?<\/p>\n
Bir k\u00f6y sabah\u0131nda \u201crahmet \u00e7atla\u011f\u0131\u201dndan kalbime \u0131\u015f\u0131k ya\u011farken ve bu sa\u011fanak alt\u0131nda mavi mavi d\u00fc\u015f\u00fcn\u00fcrken, g\u00f6z\u00fcm a\u00e7\u0131k b\u0131rakt\u0131\u011f\u0131m pencerenin cam\u0131na kayd\u0131. Yine bir anne masal\u0131 ba\u015flayacak, dedim i\u00e7imden, yine uyku ile uyan\u0131kl\u0131k aras\u0131nda bir r\u00fcya g\u00f6rece\u011fim. \u00c7ok ge\u00e7meden yapraklar h\u0131\u015f\u0131rdamaya, r\u00fczg\u00e2r homurdanmaya, renkler konu\u015fmaya, sesler nefes ak\u0131p vermeye ba\u015flad\u0131. Dereyle ku\u015flar, ku\u015flarla dallar derin bir sohbete giri\u015fti. (\u201cAn\u0131lar ku\u015flar gibidir \/ Dal ister konacak.\u201d)<\/p>\n
Ba\u015flad\u0131 evet yeni bir masal ba\u015flad\u0131.<\/p>\n
Hele o g\u00fcne\u015fin nazl\u0131 nazl\u0131 y\u00fckseli\u015fi yok mu? Ya a\u00e7\u0131k penceremin aynala\u015fan y\u00fcz\u00fcne yans\u0131yan reng\u00e2renk manzara? Hepsinden \u00f6nemlisi \u201cKalk art\u0131k, g\u00fczel bir g\u00fcn daha sana kucak a\u00e7\u0131yor.\u201d diyen i\u00e7 sesim.<\/p>\n
Hayat\u0131, do\u011fay\u0131, insan\u0131, en m\u00fchimi kendini ke\u015ffetmek i\u00e7in.<\/p>\n
Hayat bir ya\u015fa kadar anlamaksa bir ya\u015ftan sonra ke\u015ffetmekmi\u015f. Ve aynalarla ba\u015flamak l\u00e2z\u0131mm\u0131\u015f, bize d\u00fcnyay\u0131 daha al\u0131ml\u0131 g\u00f6steren aynalarla. Bir \u015fey eklemeden, eksiltmeden bize y\u00fcz\u00fcm\u00fcz\u00fc g\u00f6steren aynalarla. Ger\u00e7ek aynalardan mecaz aynalara do\u011fru y\u0131llarca\/yollarca s\u00fcren bir y\u00fcr\u00fcy\u00fc\u015f demek de\u011fil mi zaten hayat. Yapt\u0131\u011f\u0131m\u0131z ve yapamad\u0131\u011f\u0131m\u0131z her \u015fey ayna olmuyor mu bir s\u00fcre sonra? Y\u00fcz\u00fcm\u00fcze vurmuyor mu kalbimizi? Bo\u015funa dememi\u015f b\u00fcy\u00fckler: En b\u00fcy\u00fck ke\u015ffi aynad\u0131r insan\u0131n. Ayna, yani kendi y\u00fcz\u00fcyle kar\u015f\u0131la\u015fmas\u0131 insan\u0131n. Bazen kendine hayranl\u0131k duymas\u0131 bazen sava\u015f a\u00e7mas\u0131 hem de.<\/p>\n
Yar\u0131m kalm\u0131\u015f c\u00fcmleleri tamamlamak i\u00e7in de\u011fil midir biraz da ayna, yar\u0131m kalm\u0131\u015f duygular\u0131, i\u00e7ine \u00e7irkeflik bula\u015fmam\u0131\u015f a\u015fklar\u0131. Annemin gezdi\u011fini bildi\u011fim yerleri daha \u00e7ok sevmem, \u00f6zlemem nedir ayna, de bana! Ya kimin kesti\u011fini bile bilmedi\u011fim armut, erik ve kiraz a\u011fa\u00e7lar\u0131? K\u0131r\u0131ls\u0131n onlar\u0131 kesen eller. Y\u00fczlerce \u00e7ocu\u011fun \u00e7ocuklu\u011funu, par\u00e7a par\u00e7a dilimleyip k\u0131\u015f gecelerine az\u0131k yapanlar. Bir daha a\u00e7mayacak armut \u00e7i\u00e7ekleri gibi olsun sonlar\u0131.<\/p>\n
Bir k\u00f6y\u00fc olmal\u0131 insan\u0131n, i\u00e7inden \u015fiir f\u0131\u015fk\u0131ran.<\/p>\n
\u00c7\u00f6l\u00fc olmal\u0131 bir de\u2026<\/p>\n
\u2026<\/p>\n
Duvardaki \u00e7atlak binlerce y\u0131l sonra i\u00e7eriye g\u00fcne\u015fin s\u0131zmas\u0131 de\u011fil mi?<\/p>\n
Ya \u00e7atlayan tohumlar, M\u0131s\u0131r ehramlar\u0131n\u0131n beton zemininde mahsur kal\u0131p topra\u011f\u0131n s\u0131cakl\u0131\u011f\u0131n\u0131 duyar duymaz, aradan binlerce y\u0131l ge\u00e7se de, \u00e7atlayan tohumlar? (\u201cTohum \u00f6lmez.\u201d)<\/p>\n
\u00c7atlayan atlar gibi \u00e7atlayan ve yeni dostluklara kap\u0131 aralayan kalpler.<\/p>\n
Benim \u201c\u00e7atlamak\u201d fiiliyle tan\u0131\u015fmam Melisa G\u00fcrp\u0131nar ile oldu. Kad\u0131n \u015fairleri ayr\u0131 severim, hatta kad\u0131n yazarlar\u0131 da. Tomris Uyar\u2019\u0131n T\u00fcrk\u00e7esini k\u0131rk p\u0131nara de\u011fi\u015fmem, Didem Madak\u2019\u0131n \u015fiirleri i\u00e7imin kan g\u00fclleri, bay\u0131l\u0131r\u0131m. G\u00fclten Ak\u0131n, T\u00fcrk\u00e7enin incelik yakas\u0131, alt\u0131na karanfillerin serpildi\u011fi h\u0131yaban. Nurdan G\u00fcrbilek, bilim dilinin ve yolunun s\u0131rlar\u0131n\u0131 mu\u015ftulayan ana\u00e7 bilgelik.<\/p>\n
Ve Melisa\u2026<\/p>\n
Ve Melisa\u2019n\u0131n Ada \u015eiirleri<\/b>\u2019ni okudu\u011fumda, o g\u00fcne kadar ni\u00e7in hi\u00e7bir dostumdan veya hocamdan bu \u015fairin ad\u0131n\u0131 duymad\u0131\u011f\u0131m\u0131 sorgulad\u0131m. Sahi ka\u00e7 \u015fairi tan\u0131madan ve okumadan g\u00f6\u00e7\u00fcyoruz bu d\u00fcnyadan biz edebiyat\u00e7\u0131lar? K\u0131rk sene plaklar\u0131m\u0131zda \u201cmakaram sar\u0131 ba\u011flar\u201d \u00e7al\u0131yor. D\u00fcnya de\u011fi\u015fiyor, insan de\u011fi\u015fiyor, toprak de\u011fi\u015fiyor, g\u00f6k de\u011fi\u015fiyor, dil de\u011fi\u015fiyor, imge de\u011fi\u015fiyor, bizim makaram\u0131z h\u00e2l\u00e2 sar\u0131 ba\u011fl\u0131yor. Ayn\u0131 \u015fairler, ayn\u0131 \u015fiirler, ayn\u0131 mazmunlar, ayn\u0131 ses tonu\u2026 Ben yoruldum dinlemekten.<\/p>\n
Melisa\u2019ya d\u00f6nelim, kulak verelim ve uzun uzun anlatmaktansa bu kitaptan k\u00fc\u00e7\u00fck bir b\u00f6l\u00fcm\u00fc birlikte okuyal\u0131m:<\/p>\n
Bir k\u0131r\u0131k testiye benzer<\/b><\/p>\n
hayat\u0131m,<\/b><\/p>\n
bin yerinden yap\u0131\u015ft\u0131rmazsam e\u011fer<\/b><\/p>\n
s\u00f6zc\u00fcklerle,<\/b><\/p>\n
bo\u015fa akar ac\u0131lar\u0131m<\/b><\/p>\n
u\u00e7suz bucaks\u0131z maviliklere.<\/b><\/p>\n
Ey okur,<\/b><\/p>\n
ne olur aram\u0131zda kals\u0131n<\/b><\/p>\n
anlatt\u0131klar\u0131m.<\/b><\/p>\n
Ve dostumsan benim,<\/b><\/p>\n
kitab\u0131m\u0131n kap\u0131s\u0131n\u0131<\/b><\/p>\n
i\u00e7erden \u00e7al ki,<\/b><\/p>\n
anla\u015f\u0131lmas\u0131n k\u00e2\u011f\u0131ttan bir kay\u0131kla<\/b><\/p>\n
her g\u00fcn biraz daha <\/b><\/p>\n
karalardan uzakla\u015ft\u0131\u011f\u0131m.<\/b><\/p>\n
Yukar\u0131daki k\u0131rk bir kelimeyi ilk okudu\u011fumda b\u00fcy\u00fclendi\u011fimi, bir s\u00fcre dilimin tutuldu\u011funu, konu\u015famad\u0131\u011f\u0131m\u0131, art\u0131k benim de k\u00e2\u011f\u0131ttan kay\u0131klarla yava\u015f yava\u015f karalardan uzakla\u015fma vaktimin geldi\u011fini, hayallerimin mavi \u00fclkesine s\u00f6zc\u00fcklerle sadece s\u00f6zc\u00fcklerle ula\u015fabilece\u011fimi fark etti\u011fimi hat\u0131rl\u0131yorum. Benim de hayat\u0131m k\u0131r\u0131k bir testiye benziyordu. K\u0131r\u0131lan bin bir yerini, kimsenin bilmedi\u011fi, kullanmad\u0131\u011f\u0131, ba\u015f\u0131n\u0131 ok\u015famad\u0131\u011f\u0131 s\u00f6zc\u00fcklerle tamir etsem de g\u00f6nl\u00fcn\u00fc yapam\u0131yordum onun. Ben kalbine do\u011fru inmek istedik\u00e7e o, \u00f6l\u00fcm denen menzile do\u011fru yol al\u0131yor, beni \u00e7aresiz b\u0131rak\u0131yordu. Ben yazman\u0131n, bir metafor olarak edebiyat\u0131n, sanat\u0131n ne oldu\u011funu Melisa\u2019y\u0131 okuduktan, onun s\u00f6zc\u00fckleriyle tan\u0131\u015ft\u0131ktan, dost olduktan sonra anlad\u0131m. O benim g\u00fcr p\u0131nar\u0131m oldu. Onunla y\u00fcr\u00fcd\u00fcm, onunla akt\u0131m, onunla bakt\u0131m bir s\u00fcre. Bendeki Bedri Rahmi duvar\u0131n\u0131 o y\u0131kt\u0131:<\/p>\n
A\u011fa\u00e7 b\u00fct\u00fcn<\/b><\/p>\n
I\u015f\u0131k b\u00fct\u00fcn<\/b><\/p>\n
Meyve b\u00fct\u00fcn<\/b><\/p>\n
Benim d\u00fcnyam parampar\u00e7a<\/b><\/p>\n
B\u00fcy\u00fck bir ayna k\u0131r\u0131lm\u0131\u015f<\/b><\/p>\n
K\u0131r\u0131l\u0131p yere d\u00f6k\u00fclm\u00fc\u015f<\/b><\/p>\n
Kainat i\u00e7ine d\u00fc\u015fm\u00fc\u015f<\/b><\/p>\n
D\u00fc\u015fm\u00fc\u015f amma parampar\u00e7a<\/b><\/p>\n
Yaprak yaprak yap\u0131\u015ft\u0131rd\u0131m<\/b><\/p>\n
Diyar diyar dola\u015ft\u0131rd\u0131m<\/b><\/p>\n
Bir alevdir tutu\u015fturdum<\/b><\/p>\n
Yand\u0131m amma parampar\u00e7a<\/b><\/p>\n
<\/p>\n
diyen Bedri Rahmi duvar\u0131n\u0131. Oysa ne g\u00fczel anlatm\u0131\u015ft\u0131 Bedri Rahmi -\u00f6zellikle ikinci d\u00f6rtl\u00fckte- k\u00e2inattaki renklili\u011fi, farkl\u0131l\u0131\u011f\u0131, \u00e7e\u015fitlili\u011fi ama b\u00fct\u00fcn bunlarla birlikte nesneler, varl\u0131klar, insanlar aras\u0131ndaki uzakl\u0131\u011f\u0131, par\u00e7alanm\u0131\u015fl\u0131\u011f\u0131. Asl\u0131nda o da fark\u0131ndayd\u0131 a\u011fac\u0131n, \u0131\u015f\u0131\u011f\u0131n, meyvenin b\u00fct\u00fcn olmad\u0131\u011f\u0131n\u0131n -belki de b\u00fct\u00fcnd\u00fcr- ama i\u00e7ten d\u0131\u015fa bak\u0131nca b\u00f6yle g\u00f6r\u00fcn\u00fcyordu her \u015fey. Ma\u011fara metaforunu da i\u015fin i\u00e7ine katarak \u00e7ok d\u00fc\u015f\u00fcnd\u00fcm bunlar\u0131 ve bir g\u00fcn Melisa ve dizeleri \u00e7\u0131k\u0131verdi kar\u015f\u0131ma. O bana s\u00f6zc\u00fcklerle yap\u0131\u015ft\u0131rmay\u0131, pansuman yapmay\u0131, nadasa b\u0131rakmay\u0131, maviye tutunmay\u0131 \u00f6\u011fretti. En m\u00fchimi, \u201ci\u00e7imi\u201d kelimelerin i\u00e7ine tohum olarak koymay\u0131. Ve bir g\u00fcn okurunu bulursa, sanmam ama bulursa, kelimelerin okurun kalbinde yeniden ye\u015fermeye ba\u015flayaca\u011f\u0131n\u0131. Yeni \u00e7atlaklarla d\u00fcnyay\u0131 dolduraca\u011f\u0131n\u0131, yeni yeni pencerelere t\u0131rmanaca\u011f\u0131n\u0131, kap\u0131lar arayaca\u011f\u0131n\u0131.<\/p>\n
\u2026<\/p>\n
T\u00fcrk \u015fiirinin zirvelerinden biri olan, Ece Ayhan\u2019\u0131n kulaklar\u0131 \u00e7\u0131nlas\u0131n, Tanp\u0131nar\u2019\u0131n \u201cZaman K\u0131r\u0131nt\u0131lar\u0131\u201d bir ba\u015fka yaz\u0131ya kals\u0131n.<\/p>\n
Aynalar sonsuz bo\u015flu\u011fa<\/b><\/p>\n
\u00c7oktan sal\u0131verdi \u00e7ehremizi, <\/b><\/p>\n
\u2026<\/p>\n
Baksak aynalara<\/b><\/p>\n
Tan\u0131r m\u0131y\u0131z kendimizi<\/b><\/p>\n
Tan\u0131r m\u0131y\u0131z bu kaskat\u0131<\/b><\/p>\n
Bu zalim ink\u00e2r\u0131n aras\u0131ndan<\/b><\/p>\n
Sevdiklerimizi<\/b>, diyen Tanp\u0131nar\u2019a ve onun s\u00f6z g\u00fcc\u00fcne t\u0131rmanacak mecalim yok itiraf ediyorum.<\/p>\n
Y\u00fcz\u00fcyoruz<\/b><\/p>\n
\u0130pi kopmu\u015f u\u00e7urtmalar gibi, <\/b>diyen Tanp\u0131nar bizi anlatmam\u0131\u015f m\u0131, ne dersiniz?<\/p>\n
Hele hele bir yerde dostu Bedri Rahmi\u2019ye g\u00f6nderme mi yap\u0131yor ne!<\/p>\n
Ak\u015fam\u0131n tek bir a\u011fa\u00e7 gibi <\/b><\/p>\n
Dal budak sald\u0131\u011f\u0131 sular<\/b><\/p>\n
\u00c7ocukluk r\u00fcyalar\u0131n\u0131n bah\u00e7esi!<\/b><\/p>\n
Sak\u0131n kimse el s\u00fcrmesin dallara,<\/b><\/p>\n
Yapraklar, meyveler oldu\u011fu gibi kals\u0131n<\/b><\/p>\n
Benim uykum boyunca.<\/b><\/p>\n
\u2026<\/p>\n
Baksak aynalara<\/b><\/p>\n
Tan\u0131r m\u0131y\u0131z kendimizi<\/b><\/p>\n
Tan\u0131r m\u0131y\u0131z bu kaskat\u0131<\/b><\/p>\n
Bu zalim ink\u00e2r\u0131n aras\u0131ndan<\/b><\/p>\n
Sevdiklerimizi<\/b>, diyen Tanp\u0131nar\u2019a ve onun s\u00f6z g\u00fcc\u00fcne t\u0131rmanacak mecalim yok itiraf ediyorum.<\/p>\n
Y\u00fcz\u00fcyoruz<\/b><\/p>\n
\u0130pi kopmu\u015f u\u00e7urtmalar gibi, <\/b>diyen Tanp\u0131nar bizi anlatmam\u0131\u015f m\u0131, ne dersiniz?<\/p>\n
Hele hele bir yerde dostu Bedri Rahmi\u2019ye g\u00f6nderme mi yap\u0131yor ne!<\/p>\n
Ak\u015fam\u0131n tek bir a\u011fa\u00e7 gibi <\/b><\/p>\n
Dal budak sald\u0131\u011f\u0131 sular<\/b><\/p>\n
\u00c7ocukluk r\u00fcyalar\u0131n\u0131n bah\u00e7esi!<\/b><\/p>\n
Sak\u0131n kimse el s\u00fcrmesin dallara,<\/b><\/p>\n
Yapraklar, meyveler oldu\u011fu gibi kals\u0131n<\/b><\/p>\n
Benim uykum boyunca.<\/b><\/p>\n
\u2026<\/p>\n
B\u00fct\u00fcn ayr\u0131l\u0131\u015flar\u0131, \u00e7atlamalar\u0131, k\u0131r\u0131lmalar\u0131, uzakl\u0131klar\u0131 edebiyat d\u0131\u015f\u0131nda tamir edecek bir usta yok.<\/p>\n
O y\u00fczden \u015fiirle onar\u0131lmayan, musikiyle yumu\u015fat\u0131lmayan kalpler hep \u00e7orak \u00fclke olarak kalacak.<\/p>\n
\u0130stedim ki \u00fc\u00e7 be\u015f kelimeyle de olsa bir \u00e2te\u015f yakay\u0131m t\u00fcm kaybedi\u015flerin ba\u015fucunda.<\/p>\n
Ve yine istedim ki Mecn\u00fbn\u2019lar \u00e7\u00f6le doysun, kara g\u00f6klere s\u00f6zc\u00fcklerle kurulan sal\u0131ncakta r\u00fcy\u00e2 g\u00f6rs\u00fcn.<\/p>\n
\u2026.<\/p>\n
\u0130ki \u201c\u00c7atlak\u201d \u015fiirle devam edeyim.<\/p>\n
Vakti olan, \u015fiire zaman ay\u0131racak okur i\u00e7in.<\/p>\n
\u0130lki, ad\u0131n\u0131 daha \u00f6nce de and\u0131\u011f\u0131m\u0131z G\u00fclten Ak\u0131n\u2019dan olsun:<\/p>\n
\u00c7ATLAK<\/b><\/p>\n
\u0130\u00e7inden baca ge\u00e7iyorsa<\/b><\/p>\n
duvardaki \u00e7atlak<\/b><\/p>\n
s\u0131zd\u0131r\u0131r<\/b><\/p>\n
tam orda<\/b><\/p>\n
kara lekesi odan\u0131n<\/b><\/p>\n
silersin yay\u0131l\u0131r<\/b><\/p>\n
art\u0131k her \u015fey a\u00e7\u0131kta<\/b><\/p>\n
s\u0131rr\u0131 al\u0131r b\u00fcy\u00fcc\u00fcler<\/b><\/p>\n
seni \u00fcst \u00fcste koyarak<\/b><\/p>\n
\u201cyapma yapma\u201d<\/b><\/p>\n
bir yarat\u0131k oldun i\u015fte<\/b><\/p>\n
oldun i\u015fte<\/b><\/p>\n
ay\u0131pl\u0131s\u0131n<\/b><\/p>\n
giderek a\u00e7\u0131\u011fa daha a\u00e7\u0131\u011fa<\/b><\/p>\n
korunaks\u0131z, kederli<\/b><\/p>\n
s\u00fcr\u00fc uzakta<\/b><\/p>\n
g\u00f6lgen \u0131ss\u0131za d\u00fc\u015fs\u00fcn istersin<\/b><\/p>\n
kederli bir k\u00f6pek gibi<\/b><\/p>\n
\u00fcst\u00fcne buz \u00f6rts\u00fcn<\/b><\/p>\n
\u0130kincisi, Metin Alt\u0131ok\u2019tan:<\/p>\n
\u00c7ATLAK<\/b><\/p>\n
Bir yerden uzakla\u015ft\u0131k\u00e7a,<\/b><\/p>\n
Yakla\u015ft\u0131k\u00e7a bir ba\u015fka yere;<\/b><\/p>\n
Daha iyi anla\u015f\u0131l\u0131r bir gurbet\u00e7inin<\/b><\/p>\n
Neden her zaman bir kedi vard\u0131r g\u00f6zlerinde.<\/b><\/p>\n
Ve neden kendisinden b\u00fcy\u00fckt\u00fcr elleri,<\/b><\/p>\n
Bir g\u00fcvercin gezinir g\u00f6lgesinde.<\/b><\/p>\n
Y\u00fcz\u00fcn\u00fcn kavruk engebesinde,<\/b><\/p>\n
Bir \u00e7atlak durmadan ilerler<\/b><\/p>\n
K\u0131r\u0131k \u00e7izgileriyle.<\/b><\/p>\n
Bir yerden uzakla\u015ft\u0131k\u00e7a,<\/b><\/p>\n
Yakla\u015ft\u0131k\u00e7a bir ba\u015fka yere.<\/b><\/p>\n
\u2026.<\/b><\/p>\n
\u0130rlanda as\u0131ll\u0131 Amerikal\u0131 yazar Francis Scott Fitzgerald\u2019\u0131n \u201cderin yar\u0131klardan olu\u015fan\u201d otoportresi \u00c7atlak<\/b>\u2019\u0131 ba\u015fka yaz\u0131ya b\u0131rakal\u0131m, okuru \u00e7atlatmadan. Jean-Paul Didierlaurent\u2019in \u00c7atlak<\/b>\u2019\u0131 da biraz beklesin. Yaz\u0131n\u0131n \u00e7atlaklar\u0131 da bunlar olsun. \u201c\u00c7atlak\u201d\u0131n filmini de \u00e7ekmi\u015flerdir, bo\u015f durmaz insanlar bilirim. Varsa da ben seyretmedim, aram\u0131zda kals\u0131n.<\/p>\n
\u2026.<\/p>\n
Daldan dala atlayarak yazd\u0131\u011f\u0131m bu yaz\u0131y\u0131 Atayvari bir aforizmayla bitireyim bu kez, kendime oynayay\u0131m, \u015f\u00f6hretin ne zaman hangi kap\u0131dan gelece\u011fi, hangi pencereye t\u0131rmanaca\u011f\u0131 belli olmaz. Her \u015fey bir \u201c\u00e7atlak\u201dla ba\u015flad\u0131 diye anlat\u0131r dururuz her biri bir ba\u015fka deli\u011fe saklanan dostlara, k\u00f6t\u00fc m\u00fc olur:<\/p>\n
\u201cHer sars\u0131nt\u0131da duvarlar\u0131nda yeni \u00e7atlaklar olu\u015fan kalbim ve memleketim.<\/p>\n
Bir \u00f6m\u00fcr size, bu topraklarda sa\u011f kalman\u0131n biraz bencillikten ve akl\u0131n\u0131 kullanmaktan ge\u00e7ti\u011fini \u00f6\u011fretemedim. (!)<\/p>\n
\u00d6mr\u00fcm bitti, g\u00f6be\u011fim \u00e7atlad\u0131 ama olmad\u0131.<\/p>\n
Sen \u00e7atlaklar\u0131n kutsal oldu\u011funu anlatanlara inand\u0131n, bana inanmad\u0131n.<\/p>\n
Ey okur, can\u0131n sa\u011f olsun.\u201d<\/p>\n
(O\u011fuz Atay\u2019\u0131n \u201cDemiryolu hik\u00e2yecileri-Bir R\u00fcya\u201d adl\u0131 \u00f6yk\u00fcs\u00fc ile Mevl\u00e2na\u2019n\u0131n nadan ve fakir bir k\u00f6yl\u00fcy\u00fc duvarlar\u0131 \u00e7atlam\u0131\u015f eviyle konu\u015fturmas\u0131, \u00c2kif\u2019in bu hik\u00e2yeyi Safahat\u2019ta aruzla yeniden kurmas\u0131 (iktibas etmesi) yukar\u0131daki s\u00f6zlerimizle birlikte d\u00fc\u015f\u00fcn\u00fcl\u00fcrse iyi olur.<\/p>\n
Ne demi\u015f Muhibb\u00ee; \u201cKadd-i y\u00e2ri kimi halk\u0131n serv okur kimi elif \/ C\u00fcmlenin maks\u00fbdu bir amm\u00e2 riv\u00e2yet muhtelif\u2026\u201d)<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Her \u015fey, eskiden beri ilgi duydu\u011fum, ulusal mar\u015flar\u0131n\u0131 \u00e7\u00f6z\u00fcmlemeye \u00e7al\u0131\u015f\u0131rken g\u00fcftenin -\u00f6zellikle ruh olarak- bizimkine \u00e7ok benzedi\u011fini fark etti\u011fim Japon milletinin, kadim ve ince bir millet oldu\u011funa i\u015faret eden \u00e2detlerinden birini sosyal medyada g\u00f6rmemle ba\u015flad\u0131. (\u201cSenin saltanat\u0131n \/ Bin y\u0131l, sekiz bin y\u0131l s\u00fcrs\u00fcn \/ \u00c7ak\u0131l ta\u015flar\u0131 kaya olana ve yosun tutana kadar.\u201d (Japon Ulusal […]<\/p>\n","protected":false},"author":907,"featured_media":49833,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[194,5],"tags":[1466,1336,1353,1623,1398,1348,1663],"class_list":["post-49832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guncel","category-kose-yazilari","tag-edebiyat","tag-geyve","tag-karacam-koyu","tag-kose-yazisi","tag-muharrem-dayanc","tag-sakarya","tag-sakaryali-akademisyen"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/posts\/49832"}],"collection":[{"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/users\/907"}],"replies":[{"embeddable":true,"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/comments?post=49832"}],"version-history":[{"count":1,"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/posts\/49832\/revisions"}],"predecessor-version":[{"id":49834,"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/posts\/49832\/revisions\/49834"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/media\/49833"}],"wp:attachment":[{"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/media?parent=49832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/categories?post=49832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/karacamkoyu.com\/index.php\/wp-json\/wp\/v2\/tags?post=49832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}